Michael J. Fox Finally Tells the Real Story Behind Eric Stoltz’s Exit from BACK TO THE FUTURE
It’s one of Hollywood’s most talked-about casting changes. Six weeks into filming Back to the Future, Eric Stoltz was replaced by Michael J. Fox as Marty McFly, reshaping movie history in the process.
Now, decades later, Fox is setting the record straight in his new memoir, Future Boy: Back to the Future and My Journey Through the Space-Time Continuum, co-written with Nelle Fortenberry.
In a conversation with Entertainment Weekly, Fox and Fortenberry shared new insights about what really went down behind the scenes. While rumors painted the switch as chaotic and contentious, Fox’s take is far more grounded.
“I don’t think the public were aware of it until we were doing it,” Fox explained. “I was rushed on it, six weeks in, and I had no kind of time to talk about it.”
Fortenberry added that the studio initially tried to keep things quiet. “They managed to keep the fact that Eric had left the movie and Michael was coming on the movie a secret until Michael started,” she said.
But once the news broke, headlines spun the story as a disaster. “Announcing that it had taken place, and it called the movie ‘troubled.’ ‘The troubled production of Back to the Future.’ So I think a lot of people in the business thought, ‘Oh, this must be a mess. This is just a hot mess, this movie.’”
Fox remembered the strange reality of stepping into a production that was already in motion, with co-stars Christopher Lloyd and Lea Thompson having filmed weeks of scenes opposite Stoltz.
“They all had shot for six weeks. So they had stuff in the can where they had been acting with [another] actor. I had no past with it. I had no history with it, but I just jumped in and did it.”
In Future Boy, Fox detailed how the transition was carefully handled by director Robert Zemeckis, writer-producer Bob Gale, and producer Steven Spielberg.
“Until my deal was locked in, Bob Zemeckis and his cowriter and producer, Bob Gale, continued filming with Eric Stoltz, who was unaware of the impending change. [Producer Steven Spielberg] was afraid that if they let him go prematurely and production shut down, the whole film could implode. Universal needed assurance that a plan was in place for a seamless transition to a new lead actor.”
Ultimately, the choice came down to tone. Stoltz’s performance leaned heavier than what the filmmakers envisioned for Marty. “The thing that Eric did was just a different take,” Fox said. “It had a little more Shakespeare, a little more tragedy. And I was doing all that I had in my wheelhouse, I didn’t have that tragedy. So I played what I knew.”
That lighter, warmer, and more instinctively funny approach became the heart of Back to the Future and cemented Fox as one of the defining stars of the 1980s.
Despite how the situation has been mythologized over the years, Fox makes it clear that there was no bitterness between him and Stoltz.
“What transpired on Back to the Future had not made us enemies or fated rivals; we were just two dedicated actors who had poured equal amounts of energy into the same role,” he said. “The rest had nothing to do with us. As it turned out, we had much more in common than our spin as Marty.”
Now, with Future Boy, Fox is reframing a piece of movie history that’s long been misunderstood.