THUNDERBOLTS* Director Reveals the Intense Character "Shame Room" Moments Cut From The Movie
Marvel’s Thunderbolts* packs in plenty of action and emotional weight, especially in its final act where things get a little metaphysical. But according to director Jake Schreier, some of the film’s gut-punching character moments, especially from The Void sequence, never made it to screen.
In the film, Yelena, U.S. Agent, and Valentina Allegra de Fontaine all physically interact with Bob (aka The Sentry) and are pulled into their personal "shame rooms", which are psychological spaces forcing them to relive their darkest, most painful memories.
The concept gets escalated later when Yelena enters The Void, where we briefly glimpse buried memories and trauma... but only hers and The Sentry’s get any real screen time.
Whiles peaking with Variety, Schreier confirmed that the rest of the team’s journeys through The Void were indeed written and storyboarded. They were ready to go, but ultimately, left on the cutting room floor. The decision was made to center the film’s emotional climax around Bob’s internal battle rather than crowd it with too many competing threads.
When talking about what was planned, Schreier revealed:
“We had Alexei in the gulag, I think, having been thrown in there. I believe Ghost’s was about her time in the orphanage, and being this girl that no one wanted to be around — to be able to be invisible and see the way that you’re perceived and no one wanting to associate with you felt very sad.”
That sounds like another great scene for Ghost, a character who is already going through bouts of loneliness and struggle. As for Bucky’s moment”
“We had a lot of different Bucky ones. We always wanted to do something a little less than the expected idea. There’s some very obvious things for Bucky, but I think at one point, Joanna had written something around some shameful moment in Boy Scout camp. But I don’t know that that would have really been the right path for it.”
It’s a glimpse into the kind of character-driven storytelling the cast was helping shape behind the scenes. Schreier praised the actors for staying tuned into their characters’ emotional truths.
“That’s the nice thing with working with these actors. They’re such invested, caring guardians of their characters and their arcs that they’ll let you know something feels false or not right to them.”
While the final cut leaned into Bob’s internal war and the massive implications of The Void, it sounds like Marvel fans were just a few storyboard pages away from a series of character-defining moments that could’ve made the ending even more emotionally charged.
Would you want to see those deleted scenes in a director’s cut?