Brad Pitt and Jonah Hill must have enjoyed working with each other on Moneyball because they are teaming up again for a new movie called True Story, which will also star James Franco. The film is based on a memoir by journalist Michael Finkel, and it's being directed by Rupert Goold.
According to Deadline, Hill will play Finkel, "who was a writer at The New York Times Magazine in 2002 when he learned that Christian Longo was captured in Mexico after a long stint on the FBI Ten Most Wanted List for killing his family. The strange part was that he had been living under the identity of Finkel. The very next day, the real Finkel was fired by the editors of The New York Times, right after they ran an editor’s note declaring that he had falsified parts of an investigative article. His career seemed over, until Longo (who’ll be played by Franco) declared that the real Finkel was the only journalist he would talk to. That led to a surreal relationship with the accused murderer who was trying to declare his innocence. For the real Finkel, it was an opportunity to unravel the mystery and perhaps redeem himself as a journalist."
This sounds like an incredibly interesting story and should no doubt make for a great film. Especially with the cast that has been brought together to bring it to life. What do you think about this true story being adapted for the big screen?
Here's the official description of the book:
In the haunting tradition of Joe McGinniss's Fatal Vision and Mikal Gilmore's Shot in the Heart, True Story: Murder, Memoir, Mea Culpa weaves a spellbinding tale of murder, love, and deceit with a deeply personal inquiry into the slippery nature of truth.
The story begins in February of 2002, when a reporter in Oregon contacts New York Times Magazine writer Michael Finkel with a startling piece of news. A young, highly intelligent man named Christian Longo, on the FBI's Ten Most Wanted list for killing his entire family, has recently been captured in Mexico, where he'd taken on a new identity—Michael Finkel of the New York Times.
The next day, on page A-3 of the Times, comes another bit of troubling news: a note, written by the paper's editors, explaining that Finkel has falsified parts of an investigative article and has been fired. This unlikely confluence sets the stage for a bizarre and intense relationship. After Longo's arrest, the only journalist the accused murderer will speak with is the real Michael Finkel. And as the months until Longo's trial tick away, the two men talk for dozens of hours on the telephone, meet in the jailhouse visiting room, and exchange nearly a thousand pages of handwritten letters.
With Longo insisting he can prove his innocence, Finkel strives to uncover what really happened to Longo's family, and his quest becomes less a reporting job than a psychological cat-and-mouse game—sometimes redemptively honest, other times slyly manipulative. Finkel's pursuit pays off only at the end, when Longo, after a lifetime of deception, finally says what he wouldn't even admit in court—the whole, true story. Or so it seems.
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