Director Terry Gilliam sure does have a crazy, twisted, and beautiful imagination. There's no doubt he's going to show it all off in his next film project The Zero Theorem, which stars Christoph Waltz, Tilda Swinton, Matt Damon, David Thewlis, Ben Whishaw, and a few others. We have a great new poster for you today, along with a statement from the director, which you can read below.
"When I made Brazil in 1984, I was trying to paint a picture of the world I thought we were living in then. The Zero Theorem is a glimpse of the world I think we are living in now. Pat Rushin’s script intrigued me with the many existential ideas he had incorporated into his funny, philosophic, and touching tale. For example: What gives meaning to our lives, brings us happiness? Can we ever be alone in our increasingly connected and constricted world? Is that world under control or simply chaotic? We’ve tried to make a film that is honest, funny, beautiful, and surprising; a simple film about a complex modern man waiting for a call to give meaning to his life; about inescapable relationships and the longing for love, full of quirky characters and sparkling performances; raising questions without offering obvious answers. Hopefully, it’s unlike any film you have seen recently; no zombies, no caped crusaders or alien spacecraft. Actually, I might have lied about that last item. Having not worked with a budget this small for several decades, I was forced to work fast and instinctively, pressured only by time and money. We relied on the freedom to spin on a dime, to make outrageous creative leaps. The results surprised even me. I’m proud to have been part of The Zero Theorem."
The movie is set to premiere at the Venice Film Festival. I enjoy Gilliam's filmmaking style, and I'm looking forward to this one! Here's the synopsis:
Living in an Orwellian corporate world where “mancams” serve as the eyes of a shadowy figure known only as Management, Leth (Waltz) works on a solution to the strange theorem while living as a virtual cloistered monk in his home—the shattered interior of a fire-damaged chapel. His isolation and work are interrupted now and then by surprise visits from Bainsley, a flamboyantly lusty love interest who tempts him with “tantric biotelemetric interfacing” (virtual sex) and Bob. Latter is the rebellious whiz-kid teenage son of Management who, with a combination of insult-comedy and an evolving true friendship, spurs on Qohen’s efforts at solving the theorem. But these visits turn out to be intentional diversions orchestrated by Management to keep control of Qohen’s progress. Bob creates a virtual reality “inner-space” suit that will carry Qohen on an inward voyage, a close encounter with the hidden dimensions and truth of his own soul, wherein lie the answers both he and Management are seeking. The suit and supporting computer technology will perform an inventory of Qohen’s soul, either proving or disproving the Zero Theorem.
Via: The Film Stage