Shawn Levy Reveals How They Shot That Extremely Complicated Deadpool Corps Battle in DEADPOOL & WOLVERINE

Deadpool & Wolverine director Shawn Levy recently opened up about the epic one-shot Deadpool Corps battle and explained what exactly went into making that happen. He also says it was the most complicated shot that he’s ever done as a director.

This is one of the big exciting moments of the movie as we watch Deadpool and Wolverine brutally and violently fighting the Deadpool Corps. It’s a glorious moment that was set to Madonna's "Like a Prayer," and it ends with the two heroes striking an iconic superhero pose.

During an interview with Entertainment Weekly, Levy explained how that scene was filmed, and admitted: "That is the single most complicated shot in the movie. It's the most complicated shot I have ever done in any movie, and, frankly, it's more complicated than most shots any of us will ever see in any movie.”

He went on to say: “It took nine months of preparation, starting with the idea, which was always one laterally-tracking shot, always left to right, always in our mind set to 'Like a Prayer.'"

"It aspired to be an ecstatic symphony of violence. It started with storyboards. Those evolved into pre-visualization, where you animate the storyboards.

“Then the next big hurdle was, let's get 50 stunt people and figure out how we're going to do this with real humans and bodies in space because those are not digi-doubles. Those are real fighters the whole way through.

"Then the big fly in the ointment is: What happens when you rehearse no longer in sweats but in the suits? The body doesn't move the same way. It took hundreds of teammates to figure it out and pull it off. It's one of our great prides."

Levy went on to stay that the whole thing was scripted and that improvising during a scene like this just isn’t possible.

The director said: "A lot of it was scripted. I do want to give credit to the entire section in the bus through that shot. That was our storyboard artist, Jeremy Simser. That bus section and the idea of the windows getting increasingly obscured with blood splatter, that was Jeremy.

“I mention it because I really think the key to directing is to be loose enough that you are open to the best possible idea regardless of where it comes from. I am a great beneficiary of tremendous creativity from the whole team."

There was one thing that was added to the scene later: "The one thing that I recall being a later add is Ryan fumbling and tapping off this glorious epic action sequence with a very clumsy dismount, and then Deadpool commenting on his God-awful dismount because we could have just ended it with superhero glory, but somehow that's not quite Deadpool. You always want to zig when the expectation is for the genre to zag."

Well, while it wasn’t easy, Levy and his team managed to pull off an incredibly awesome battle sequence that fans enjoyed the hell out of!